Delfina Foundation, Stirring the Pot of Story: Food, History, Memory, 2015. Photos: Sylvain Deleu.


Spring 2015

Sex, Diet and Disaster

From F. T. Marinetti’s Manifesto of Futurist Cookery to Gordon Matta-Clark’s conceptual restaurant to Michael Rakowitz’s Enemy Kitchen, artists have long employed food within their creative process and practice. In recent years, a host of cultural practitioners has been interrogating relationships between food and environmental, economic and social concerns, as well as notions of cooking and eating as performative acts and of dishes, recipes, and cookbooks as oft-contested markers of cultural memory.

Hospitality and conviviality are at the heart of Delfina Foundation. Founded in 1988 as the Delfina Studio Trust, which later became Delfina Foundation in 2007, the organisation has a long history in providing a “home” for artists to explore ideas, to engage in cross-cultural dialogue and to explore opportunities for artistic experimentation. Through our residency and public programme, Delfina Foundation brings together artists, curators and critics from around the world to explore how artistic strategies have and can be used to address wide-ranging issues, in this case relating to food, agriculture, and the environment.

This programme will unfold over the course of four years at Delfina Foundation with one season each year devoted to The Politics of FoodIn January 2014 the first iteration of this programme curated in collaboration with Michael Vazquez brought together 41 artists, activists, anthropologists, agronomists, chefs, curators, scientists and writers from 15 countries to investigate the global politics and ethics of food production, distribution and consumption.

In the spring of 2015, curated in collaboration with Nat Muller, Delfina Foundation will launch our next season of The Politics of Food. This season will focus on the connections between sex, diet, disasters and food in both historical and contemporary contexts.

Under the heading Sex we wish examine topics ranging from gender and power to the erotics of display and the pleasures of eating. Within the framework of Diet we will explore ideas of ritual and control with particular reference to identity, political policies, religion, fashion and marketing. When considering Disaster we are interested in investigating the impact of international policies, climate change, war, economic crises and natural disasters on food in historical, current or imagined scenarios.


Exhibition

Stirring the Pot of Story: Food, History, Memory

19/03/2015 — 13/06/2015
Exhibition

International Residents

Taus Makhacheva

London: 23/03/2015 — 05/06/2015

Matheus Rocha Pitta

London: 17/04/2015 — 05/06/2015

Daniel Salomon

London: 18/03/2015 — 05/06/2015

Lantian Xie

London: 14/04/2015 — 16/08/2015

The Center for Genomic Gastronomy

London: 03/04/2015 — 29/05/2015

Marta Arzak

London: 18/03/2015 — 10/04/2015

Dagna Jakubowska

London: 28/04/2015 — 05/06/2015

UK Associates

Navine G. Khan-Dossos

London: 18/03/2015 — 05/06/2015

Kate Rich

London: 18/03/2015 — 05/06/2015

Public Programme

(C)rice(s) An Evening of Crisis Foods

04/06/2015
Meal

A Discussion On Commensality: The Act Of Eating Together. Crisis Or Transformation?

08/04/2015
Talk

How Do We Want To Eat, If It Happens. An Emergency Provision Dinner

21/04/2015
Meal

Gazing At The Highlanders, Gazing From The Highlands

29/04/2015
Meal

Politics Of Fermentation

06/05/2015
Workshop

Tasting Power: The Politics Of Food Diplomacy

28/05/2015
Meal

Stirring the Pot of Story: Curator Tour

30/05/2015
Exhibition Tour

Who Ate Marina Warner?

02/06/2015
Talk

PLATFORM

Explore selected outcomes and documentation of the programme.

STIRRING THE POT OF STORY: FOOD, HISTORY, MEMORY

Installation photos from ‘The Politics of Food’ group exhibition at Delfina Foundation

Gallery

Presenting: Taus Makhacheva

We revisit our 2015 artist-in-residence

Video

Credits

The Politics of Food – Season 2 is made possible thanks to the support of Delfina Foundation’s family of individual patrons.

Additional thanks to: Alserkal Avenue, Dubai / Arts Council England / Baibakov Art Projects / Danish Arts Foundation/ Farook Foundation / Goldsmiths, University of London / Malek and Maria Sukkar / Mendes Wood DM / Mohamed & Perihan Bassatne / Instytut Adama Mickiewicza / Office of Cultural and Scientific Affairs of the Embassy of Spain in London / Office for Contemporary Art Norway / Polish Cultural Institute / Sprovieri Gallery / The Mosaic Rooms / Vega Sicilia / We Can’t be There Series