Gary Zhexi Zhang
London: 16/09/2019 — 22/12/2019
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Gary Zhexi Zhang, Farm II, 2018. Installation view, 'Cross-Feed' with Aniara Omann, Market Gallery, Glasgow - 01
Gary Zhexi Zhang, Farm II, 2018. Installation view, 'Cross-Feed' with Aniara Omann, Market Gallery, Glasgow.
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Gary Zhexi Zhang, Farm II, 2018. Installation view, 'Cross-Feed' with Aniara Omann, Market Gallery, Glasgow - 02
Gary Zhexi Zhang, Farm II, 2018. Installation view, 'Cross-Feed' with Aniara Omann, Market Gallery, Glasgow.
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Gary Zhexi Zhang, A Theory of Prediction (Papin Monument), 2019. Installation View, MIT Building 41 - 01
Gary Zhexi Zhang, A Theory of Prediction (Papin Monument), 2019. Installation View, MIT Building 41.
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Gary Zhexi Zhang, A Theory of Prediction (Papin Monument), 2019. Installation View, MIT Building 41 - 02
Gary Zhexi Zhang, A Theory of Prediction (Papin Monument), 2019. Installation View, MIT Building 41.
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Gary Zhexy Zheng, Parasite (物流), 2018. Single channel digital video, still
Gary Zhexy Zheng, Parasite (物流), 2018. Single channel digital video, still.
Gary Zhexi Zhang (UK associate) is an artist interested in the co-evolution of knowledge systems and technical systems, along with the politics and desires that shape their pursuit. Currently his interests revolve around conceptions of ecology, informal economies and the history of the commons. Gary is part of the collaborative studio Foreign Objects, and writes about art and technology.
As a UK Associate during Delfina’s autumn 2019 season Gary intends to develop a body of work based on an existing research project he has been engaged with, mostly in writing, over the last year. Beginning with minor histories of the World Wide Web, it explores the aesthetics of decentralisation and the utility of software as social fiction.
Recent presentations and exhibitions include, Cross-feed at Glasgow International in 2018, vdrome.org, and The Internet as a City at the Decentralized Web Summit, in collaboration with Foreign Objects.
Gary is a regular contributor to Frieze and has contributed essays to Steve Bishop, Deliquescing (Sternberg Press, 2019) and Resisting Reduction (MIT Press, 2019, forthcoming). Gary holds a master’s degree from the ACT Program at MIT (2019).
THEMATIC PROGRAMME
science_technology_society:
Season 1
RESIDENCY SEASON
Autumn 2019
Artist’s website
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Please note all artist-in-residence biographies are accurate at the time of their residency. For up-to-date bios please visit the artist’s website.
Related content
In Conversation: Anna Ridler and Gary Zhexi Zhang
Our past and present UK associate artists discuss markets, uncertainty, cryptos and climate change
Interview
Trust Issues: A roundtable on art, decentralisation and emergent technocultures
29/10/2019
science_technology_society
Considering, intervening in, and speculating on the world and it’s possible futures
Programme
Trust Issues
On art, decentralisation and emergent technocultures
Video